#Pieces of a woman how to#
Martha is kept perpetually frozen in the worst night of her life, and it’s painfully clear how badly she wants to move forward, even if she’s not yet sure how to put one foot in front of the other.
#Pieces of a woman movie#
This is, perhaps, the most difficult part of the movie to watch, worse even than listening to Martha and Sean’s baby struggling to breathe postpartum. In doing so, it calls to mind the few cultural reference points we have for the loss of a child, from Käthe Kollwitz’s 1903 etching Woman With Dead Child to Leila Slimani’s prizewinning 2016 novel The Perfect Nanny. Pieces of a Woman, a film directed by Kornél Mundruczó from a screenplay by Kata Wéber that debuted on Netflix on January 6, focuses on a young couple from Boston who loses their baby in a home birth gone wrong. Yet, we still haven’t developed a facility of language for the wrenching, incomprehensible loss of a child. But the experience of going through childbirth only to lose a baby is still deeply taboo, despite its commonality the infant mortality rate in America is unusually high for developed countries, particularly for Black infants. The last decade brought with it a swell of books that centered the experience of childbirth in all its traumatic, euphoric glory, from Meaghan O’Connell’s And Now We Have Everything to Angela Garbes’s Like a Mother: A Feminist Journey Through the Science and Culture of Pregnancy. Please review their details and accept them to load the content.Note: This review contains spoilers for the 2021 Netflix film Pieces of a Woman. If you have been affected by issues raised in this review, please visit: We need your consent to load this YouTube content We use YouTube to manage extra content that can set cookies on your device and collect data about your activity. Pieces of a Woman is streaming now on Netflix.
Highly recommended, with the biggest of caveats. Heavy symbolism will grate with some also, but neither shortcoming detracts from Pieces of a Woman's power as a potential catalyst for change in how we help those who are are grieving.
Co-star LaBeouf's work is also excellent, but it is impossible not to view it through the prism that the actor is being sued by former partner FKA Twigs for alleged physical, mental and emotional abuse.Īlthough his film is 126 minutes long, Mundruczó inexplicably rushes the ending - cramming too much in to the final 10 minutes - when the rest of the drama was paced so well. Leaving an indelible mark on 2021 are Kirby and Ellen Burstyn, whose performances as Martha and her mother Elizabeth exhaust superlatives. And yes, that is all too easy to forget, no matter how many times we hear it. We follow them through a merciless Boston winter, fearing the worst as old demons and grievances exert control once more.ĭirector Kornél Mundruczó ( White God, Jupiter's Moon) and writer and partner Kata Wéber's searing character study forces the viewer to question their own relationships and resilience, in the process delivering the crucial reminder that we never really know what's going on in someone else's life. Vanessa Kirby and Shia LaBeouf play Martha and Sean, a couple who lose their daughter minutes after she is born. It is the cinematic embodiment of the wisdom that grief is a walk alone, and a form of madness. "How am I feeling?" That's the question you need to ask yourself before deciding to watch Netflix's latest premiere.Įven in the best of times, Pieces of a Woman would make for emotionally exhausting viewing.
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